They walked up the road together to the old man’s shack and went in through its open door. The old man leaned the mast with its wrapped sail against the wall and the boy put the box and the other gear beside it. The mast was nearly as long as the one room of the shack. The shack was made of the tough bud shields of the royal palm which are called guano and in it there was a bed, a table, one chair, and a place on the dirt floor to cook with charcoal. On the brown walls of the flattened, overlapping leaves of the sturdy fibered guano there was a picture in color of the Sacred Heart of Jesus and another of the Virgin of Cobre. These were relics of his wife. Once there had been a tinted photograph of his wife on the wall but he had taken it down because it made him too lonely to see it and it was on the shelf in the corner under his clean shirt.
他们顺着大路一起走到老人的窝棚,从敞开的门走进去。老人把绕着帆的桅杆靠在墙上,孩子把木箱和其他家什搁在它的旁边。桅杆跟这窝棚内的单间屋子差不多一般长。窝棚用大椰子树的叫做“海鸟粪”的坚韧的苞壳做成,里面有一张床、一张桌子、一把椅子和泥地上一处用木炭烧饭的地方。在用纤维结实的“海鸟粪”展平了叠盖而成的褐色墙壁上,有一幅彩色的耶稣圣心图和另一幅科布莱圣母图。这是他妻子的遗物。墙上一度挂着幅他妻子的着色照,但他把它取下了,因为看了觉得自己太孤单了,它如今在屋角搁板上,在他的一件干净衬衫下面。
以上内容来自专辑