gipsy caprice: allegretto, molto ritmico
为纪念20世纪最受欢迎的小提琴家克莱斯勒，这张合集，包含克莱斯勒的很多作品，除了有知名小提琴家如海飞兹、克莱默、穆特、欧伊斯特拉夫等的演奏（双声道且有些经过了数字重制）、当然也有克莱斯勒自己的演奏录音（单声道且杂音不少），时间久远的单声道录音让您原汁原味地感受这一历史上永不能磨灭的作曲家+小提琴演奏大师的风采。
ritz Kreisler was one of the most beloved violinists of the 20th century, universally known for his Liebesfreud and Liebesleid, and a quantity of other popular encore pieces. Yet Kreisler was also an industrious arranger and clever pasticheur, who sometimes composed attractive works in the styles of Baroque and Classical composers and gave them false attributions, though more out of a wish to amuse than to deceive. The Kreisler repertoire, which includes his own compositions and arrangements of classics, is paid due diligence in this double-disc from Deutsche Grammophon, featuring performances by such renowned violinists as Ruggiero Ricci, Jascha Heifetz, David Oistrakh, Christian Ferras, Shlomo Mintz, Gidon Kremer, and Anne-Sophie Mutter, as well as six historic recordings Kreisler made in his prime, between 1910 and 1912. This encomium captures much of his playful spirit and delight in colorful display, and whether the mood is serious or light, the performances overflow with personality. The violinists all share an affinity with Kreisler’s virtuosity and buoyant style of playing, and even though the scratchiness of Kreisler’s recordings partly obscures his tone, his expression comes through adequately and practically invites the listener to compare the later interpretations. Because dates vary considerably, along with the respective technologies, the set includes mono and stereo recordings, as well as analog and digital reproduction, so listeners should be attentive to the volume control.
ritz Kreisler was one of the most beloved violinists of the 20th century, universally known for his Liebesfreud and Liebesleid, and a quantity of other popular encore pieces. Yet Kreisler was also an industrious arranger and clever pasticheur, who sometimes composed attractive works in the styles of Baroque and Classical composers and gave them false attributions, though more out of a wish to amuse than to deceive. The Kreisler repertoire, which includes his own compositions and arrangements of classics, is paid due diligence in this double-disc from Deutsche Grammophon, featuring performances by such renowned violinists as Ruggiero Ricci, Jascha Heifetz, David Oistrakh, Christian Ferras, Shlomo Mintz, Gidon Kremer, and Anne-Sophie Mutter, as well as six historic recordings Kreisler made in his prime, between 1910 and 1912. This encomium captures much of his playful spirit and delight in colorful display, and whether the mood is serious or light, the performances overflow with personality. The violinists all share an affinity with Kreisler’s virtuosity and buoyant style of playing, and even though the scratchiness of Kreisler’s recordings partly obscures his tone, his expression comes through adequately and practically invites the listener to compare the later interpretations. Because dates vary considerably, along with the respective technologies, the set includes mono and stereo recordings, as well as analog and digital reproduction, so listeners should be attentive to the volume control.
以上内容来自专辑
- chant sans paroles, op. 2, no. 3 [arranged by fritz kreisler]51702:41
- gipsy caprice: allegretto, molto ritmico53104:32
- humoresque, op. 101, no. 749803:36
- la chasse42801:45
- la precieuse : allegretto con spirito48202:23
- la vida breve , act 2: spanish dance36903:27
- larghetto : andante con moto38802:29
- marche miniature viennoise38003:20
- polichinelle : allegro giocoso e ritmico34201:29
- praeludium and allegro in the style of pugnani51604:41
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