戏曲大鼓音频
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名家名段
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传统文化路上不孤单,我们一起在进步【微信公众号:致中文化】
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戏曲,中国传统文化的瑰宝之一,它有着悠久的历史和深厚的文化底蕴,是中国人民智慧的结晶。戏曲把故事情节、人物性格、时代背景等有机地融入其中,既有助于人们了解历史、传承文化,又能够提供观众们艺术的享受。
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侯月秋(1923年-1982年),女,京韵大鼓演员,天津人。20世纪50年代入和平区曲艺杂技团。青年时期嗓音较高,学刘宝全偏于其中期风格;中年后,嗓音趋于宽而低,注重表演,面部表情细腻,对曲中人物定位准确,身段优美适度。常演表现悲苦凄切情绪的曲目,如《白帝城》《七星灯》《金宝骂城》《南阳关》等;也演出《博望坡》《赵云截江》《草船借箭》等《三国》故事的曲目。留有《白帝城》《博望坡》《刺汤勤》等曲目的演唱录音。晚年演出之余课徒传艺,传人有马希英、刘秀英等。
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该专辑是天津广播电台农村频道中的戏曲专栏节目《戏曲60分》的部分录音,内容以介绍和欣赏评剧、河北梆子等北方地方戏曲剧种为主,主持人田翔。
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天资聪慧的山东女孩林雪梅随乡亲三伏逃荒流落北平,幸得被人们称作大鼓妞儿的女艺人靳大红相帮,引荐至“北弦王”金三省门下学唱大鼓。很快即学有所成,按照行内的规矩,艺徒头一次卖艺必须到妓院演唱,金三省带她来到八大胡同,“赏春楼”里的所见所闻令她大为震惊,妓女们与大鼓艺人供奉的竟然是相同的神祗,并亲眼见证了前辈章红宝的沦落,近距离地接触到了日本人。 白丫头为生活所迫,每日去妓院“串邪钵”。德晓峰借债务逼娶白丫头,其父老贵贪恋钱财,昧着良心把亲生闺女推进了火坑。金三省...
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“你穿上凤冠霞衣,我将眉目掩去,大红的布扯开了,出折子戏…浓妆重彩的背后是张什么样的脸,华丽戏服里又缝着怎样的故事,生活里有的,故事中讲的,聚散离合,悲喜忧愁,酸甜苦辣,阴晴圆缺,统统搬上舞台,流淌成有声有色的历史,满足了多少平淡...
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(1876~1945)京韵大鼓艺人,“张派”京韵大鼓创始人。北京人,青年时常在北京南郊票演北京时调小曲《绣麒麟》、《叹五更》等。后因清廷禁唱时调小曲,改学木板大鼓,拜朱德庆为师,登台演唱时海报贴“文明大鼓”。他擅唱的曲目有《博望坡》《古城会》《华容道》等。
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京剧戏曲电影《白蛇传》(1980)李炳淑主演
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中国戏曲是一种历史悠久的综合舞台艺术样式,主要由民间歌舞、说唱和滑稽戏综合而成,起源于原始歌舞。它的特点是将众多艺术形式以一种标准聚合,在共同具有的性质中体现各自的个性,经过长期的发展,逐步形成以“京剧、越剧、黄梅戏、评剧、豫剧”五大戏...
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月腾曲艺电台 国粹经典 源远流长 中华五千年 国粹永流传
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