豫东大鼓全场
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河南周口郑三豫剧团,诚传豫东调。
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中国戏曲主要是由民间歌舞、说唱和滑稽戏三种不同艺术形式综合而成。它起源于原始歌舞,是一种历史悠久的综合舞台艺术样式。经过汉、唐到宋、金才形成比较完整的戏曲艺术,它由文学、音乐、舞蹈、美术、武术、杂技以及表演艺术综合而成,约有三百六十多个...
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豫剧(英文:Yu Opera),是中国五大戏曲剧种之一 ,发源于河南开封。豫剧是在河南梆子的基础上不断继承、改革和创新发展起来的。建国后因河南简称“豫”,故称豫剧。豫剧旧称“河南梆子”、“河南高调”,由于早期演员用本嗓演唱,起腔与收腔时用假声翻高尾音带“讴”,又曾叫“河南讴”。“豫剧”之名最早泛指河南各剧种。豫剧以唱腔铿锵大气、抑扬有度、行腔酣畅、吐字清晰、韵味醇美、生动活泼、有血有肉、善于表达人物内心情感著称,凭借其高度的艺术性而广受各界人士欢迎。因其音乐伴奏用枣木梆子打拍...
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曲剧全场戏
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大平调
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越剧起源于“落地唱书”,后又有称为“女子科班”、“绍兴女子文戏”、“的笃班”、“草台班戏”、“小歌班”、“绍兴戏剧”、“绍兴文戏”、“髦儿小歌班”、“绍剧”、“嵊剧”、“剡剧”等。第一次称“越剧”,1925年9月17日,在小世界游乐场演出的“的笃班”,首次在《申报》广告上称为“越剧”。1938年起,多数戏班、剧团称“越剧”。但各戏报上的称谓依旧不统一,记者与投稿者经常各用各的。1939年,《大公报》记者樊迪民,兼为姚水娟之“越吟舞台”的编导,受李白《越女词》之启发,兼考虑绍兴...
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淮剧(全场)
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京剧全场戏京剧全场戏
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豫东红脸,豫剧当今生行重流派代表。河南红脸在豫东,豫东红脸出唐门。自唐玉成以其独特的高亢激越的唱腔创立红脸一派以来,红脸就成了广大戏迷津津乐道的话题。“耕者忘其犁,锄者忘其锄,来归相怨怒,但为红脸殊”。
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豫东调,系以商丘为中心的一个豫剧支派,同山东梆子(高调梆子)的关系极为密切。传统剧目基本相同,唱法多由大本腔(真嗓)改以二本腔(假嗓)为主。又称“下路调”或“东路调”。
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杨启超(1931-1993),山东曹县人。豫剧表演艺术家,豫剧红脸王唐玉成亲传弟子,豫剧唐门流派传人,豫剧杨派艺术创始人。杨启超先生小学辍学后,随父经商,后到商丘市合声戏园当勤杂工。1948年末,因战乱、灾荒,戏园关门倒闭,为求生计,即下海从艺。1952...