京胡拉京剧快板
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京剧快板流水选段
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杨宝忠京胡演奏集【京剧】
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京剧音乐·京胡琴艺赏析-王鹤文
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京剧音乐·京胡琴艺赏析·陈彦衡
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京剧音乐·京胡琴艺赏析—汪本贞
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京剧音乐·京胡琴艺赏析-孙佐臣
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锁麟囊 杨门女将 同光十三绝 等等
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杨宝忠,20世纪最著名的京胡演奏大师,他出生于梨园世家,祖父杨朵仙、父亲杨小朵都是清末民初的著名花旦演员。受家庭影响,杨宝忠自幼学习老生,21岁时拜余叔岩为师,成为余门首位大弟子,他的唱腔深得余派精髓,1928年由李佩卿操琴,杭子和司鼓,灌制了...
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余叔岩先生的琴师,仅为杨宝忠、余叔岩灌制过唱片,是余派伴奏典范,对后世影响深远。(本专辑所有唱片均由杭子和先生司鼓)
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司鼓:张景林京胡:王彩云...
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梅派琴师名家辈出,自梅雨田始,徐兰沅、王少卿、倪秋平、沈雁西、姜凤山、梁训益、黄天麟、卢文勤等灿若星辰,梅派声腔中正平和、刚柔并济、落落大方,梅派京胡伴奏艺术是梅派声腔艺术的组成部分之一。本专辑根据本人日常拉奏、练习梅派伴奏时的录音选择...
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传播民族艺术 弘扬中华文化
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录一些快板小段 可以给播音生或者其他口才相关专业 做一个参考 单段分开录的 特别适合想一点一点练习 每天一分钟
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陈平一琴艺的显著特点就是平实。其坐姿端庄,运弓坚实平正,每一个音都有头有尾,且首尾之间贯通而匀称,颇有坦荡之风。其奏长慢弓,能使马尾与内外弦有妥帖的阻力,声音圆润饱满。其疾短弓时,快而不糊,疾而不乱,在音准以及结构严谨、节奏工稳方面,胜...
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陈平一琴艺的显著特点就是平实。其坐姿端庄,运弓坚实平正,每一个音都有头有尾,且首尾之间贯通而匀称,颇有坦荡之风。其奏长慢弓,能使马尾与内外弦有妥帖的阻力,声音圆润饱满。其疾短弓时,快而不糊,疾而不乱,在音准以及结构严谨、节奏工稳方面,胜...
![](https://imagev2.xmcdn.com/storages/9ebe-audiofreehighqps/DC/57/GKwRIMAIzIMUAAAL5gJV7dG9.jpg)
陈平一琴艺的显著特点就是平实。其坐姿端庄,运弓坚实平正,每一个音都有头有尾,且首尾之间贯通而匀称,颇有坦荡之风。其奏长慢弓,能使马尾与内外弦有妥帖的阻力,声音圆润饱满。其疾短弓时,快而不糊,疾而不乱,在音准以及结构严谨、节奏工稳方面,胜...
![](https://imagev2.xmcdn.com/storages/9ebe-audiofreehighqps/DC/57/GKwRIMAIzIMUAAAL5gJV7dG9.jpg)
陈平一琴艺的显著特点就是平实。其坐姿端庄,运弓坚实平正,每一个音都有头有尾,且首尾之间贯通而匀称,颇有坦荡之风。其奏长慢弓,能使马尾与内外弦有妥帖的阻力,声音圆润饱满。其疾短弓时,快而不糊,疾而不乱,在音准以及结构严谨、节奏工稳方面,胜...
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又空又念
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不愿身为万户侯 只求笑声满人间
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陈平一琴艺的显著特点就是平实。其坐姿端庄,运弓坚实平正,每一个音都有头有尾,且首尾之间贯通而匀称,颇有坦荡之风。其奏长慢弓,能使马尾与内外弦有妥帖的阻力,声音圆润饱满。其疾短弓时,快而不糊,疾而不乱,在音准以及结构严谨、节奏工稳方面,胜...
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山东快板是一种平词说唱艺术。发源于山东。是中国曲艺曲种。因用两块大竹板儿(大板儿)和五块小竹板儿(节子板儿)而得名。大小竹板儿合称为"七块板儿"。传统快板表演形式有单口、对口、群口快板,还有快板书。表现的艺术特点是短、明、快。通常表演剧目是根据历史演义或者神话传说改编而成。随着新中国建立和改革开放,快板书也与时俱进,创作出一些现代段子,通常都是教育人们知书达理、明辨是非的段子。
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近年来自己说的快板书
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焦新宇,中国曲艺家协会会员,黑龙江省曲艺家协会理事。原武警黑龙江省总队文工团团长, 青年快板书、相声演员...
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他是西北笑星,被誉为“当代民谣大王”。90年代,他的录音磁带仅在兰州就创下了60万盒的销售纪录,迄今仍无人能出其右。他就是国家一级演员、西北“第一笑星”张保和。——本专辑为原盘高清修复专辑。
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