苏州长篇评弹三笑内容
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长篇苏州评弹《三笑》龙庭书(下)
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长篇苏州评弹《三笑》龙庭书(上)
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苏州评弹《三笑》选回
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长篇苏州评弹《三笑》之"杭州书“又名”王老虎抢亲“
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【苏州评弹经典长篇赏析】三笑(龙庭书)徐云志 王鹰
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苏州评弹—三笑·杭州书(华士亭40回施藏本)
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中篇评弹《三约牡丹亭》由上海评弹团刘天韵、陈灵犀、严雪亭根据长篇弹词《三笑》中的一段情节整理、改编。1959年由刘天韵、严雪亭、朱慧珍、徐丽仙、徐雪花、朱雪琴、郭彬卿首演。1962年赴港演出时,曾引起轰动,受到了香港观众的追捧。苏州才子唐伯虎,...
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最早的弹词曲本《三笑缘》为明代玉遮山人所作。现存最早所见的是清代乾隆55年重编,嘉庆5年的抄录本《最新编重辑曲调三笑姻缘》。徐云志是近百年来弹唱《三笑》艺术成就最高的弹词艺人。徐云志(1901.11.17-1978.12.17)、一代弹词宗师、“徐调”创始人、苏...
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苏州评弹是苏州评话和苏州弹词的总称,是采用吴语徒口讲说表演的传统曲艺说书戏剧形式。它产生并流行于苏州,以及江、浙、沪一带。
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蒋派艺术于评弹艺术届如泰山北斗,乃一代宗师,中华瑰宝。蒋月泉,男,江苏苏州人。著名评弹表演艺术家。1917年12月4日(农历十月廿)出生于上海。蒋派艺术魅力无穷,他说书官正,章法正谨,说表细致清脱,语言高雅凝练、幽默含蓄,表演潇洒传神,弹唱悦耳动听、声情并茂,后期更进入了炉火纯青的境界,成为书坛上最负盛名的大家,蒋派艺术也成为评弹中最重要的流派。 蒋月泉的书艺精湛,台风严谨,说表清脱,含蓄幽默,刻画描绘真切细致。所演现代书目,在表现人...
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苏州话,苏州评弹
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苏州评弹是苏州评话和苏州弹词的总称,是以苏州方言为基础的传统曲艺说唱形式。发源于苏州,兴盛在上海,流行于江、浙、沪一带。2006年,国务院将苏州评弹列入第一批国家级非物质文化遗产名录。评弹舞台布置简约,一屏风配以“一桌二椅”就形成了舞台表演...
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苏州评弹是苏州评话和苏州弹词的总称,是采用吴语徒口讲说表演的传统曲艺说书戏剧形式。它产生并流行于苏州,以及江、浙、沪一带,用苏州方言演唱。评弹的历史悠久,清乾隆时期已颇流行。最著名的艺人有王周士,他曾为乾隆皇帝演唱过。嘉庆、道光年间有陈遇乾、毛菖佩、俞秀山、陆瑞廷四大名家。咸丰、同治年间又有马如飞、赵湘舟、王石泉等,之后名家流派纷呈,使苏州评弹艺术历经200余年至今不衰。2006年,苏州评弹入选第一批国家级非物质文化遗产新增项目名录。 2008年及...
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人说江南是中国风骨和柔情代表,是易碎的玻璃。说到江南,便想到吴侬软语,才子佳人。小桥、流水、吴侬软语,穿旗袍抱着琵琶的姑娘坐在青石板的路上低吟浅唱,亦或是身姿曼妙的女子举着油伞漫步在寂静的弄堂中。不紧不慢,不慌不忙,一切都是那么安静,却又那么美好。 江南忆,最忆是杭州。山寺月中寻桂子,郡亭枕上看潮头。何日更重游? 江南忆,其次忆吴官。吴酒一杯春竹叶,吴娃双舞醉芙蓉。早晚复相逢。 一起来听那诉说着江南风情的吴侬软语吧!
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《描金凤》写姑苏书生徐惠兰因家贫向叔父借贷,却遭羞辱,愤而自尽,为江湖术士钱志节相救,并将其女钱玉翠相许。玉翠以家传御赐描金凤相赠,作为定情之物。惠兰被姑母接去读书,途中救了重病的书生金继春,二人结为金兰。表兄王云卿与惠兰甚相契 ,不意被...
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这部使之前上传的《玉蜻蜓》的前传叫《苏州第一家》,叙述明朝正德年间,苏州笫一富翁南濠的金公旦聘得十八岁的叶芝兰小姐为妾,婚后感情日笃,喜结珠胎,公旦将家传宝一对汉玉蜻蜓赠于叶氏。但金的发妻唐氏蛮横,金心甚怏。金家中七、八两房欲夺大房公旦...
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上传书目竟然告诉我包含敏感词,呵呵,这世界真是太敏感了,各位先听着,我再慢慢补 长篇弹词《弦索春秋》是由上海评弹团的老艺术家张如君、刘韵若在中篇的基础上书写、延伸,花了整整十多年心血所完成的,是一部反映说书艺人在三四十年代的奋斗史,记录了评弹...
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北京青年樊家树到天桥游乐,认识卖艺为生的关寿峰,寿峰女秀姑更暗恋家树。其后家树偶遇唱大鼓的少女凤喜,相互爱慕,树更助喜摆脱卖唱生涯,供她读书。家树虽得富家女何丽娜垂青,亦专情如一。其后,凤喜三叔贪图富贵,使喜亲近刘大帅,刘更迫喜作妾,喜...
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